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ألاسم
أَحَمّ ; أَدْهَم ; أَسْحَم ; أَسْخَم ; أَسْوَد ; أَقْتَم ; بَهِيم ; حاتِم ; زِنْجِيّ ; قاتِم
الصفة
أَسْوَد ; زِنْجِيّ
ألاسم
أَحَمّ ; أَدْهَم ; أَسْحَم ; أَسْخَم ; أَسْوَد ; أَقْتَم ; بَهِيم ; حاتِم ; زِنْجِيّ ; قاتِم
الصفة
أَسْوَد ; زِنْجِيّ
Négritude (from French "Nègre" and "-itude" to denote a condition that can be translated as "Blackness") is a framework of critique and literary theory, developed mainly by francophone intellectuals, writers, and politicians of the African diaspora during the 1930s, aimed at raising and cultivating "Black consciousness" across Africa and its diaspora. Négritude gathers writers such as sisters Paulette and Jeanne Nardal (known for having laid the theoretical basis of the movement), Martinican poet Aimé Césaire, Abdoulaye Sadji, Léopold Sédar Senghor (the first President of Senegal), and Léon Damas of French Guiana. Négritude intellectuals disavowed colonialism, racism and Eurocentrism. They promoted African culture within a framework of persistent Franco-African ties. The intellectuals employed Marxist political philosophy, in the Black radical tradition. The writers drew heavily on a surrealist literary style, and some say they were also influenced somewhat by the Surrealist stylistics, and in their work often explored the experience of diasporic being, asserting one's self and identity, and ideas of home, home-going and belonging.
Négritude inspired the birth of many movements across the Afro-Diasporic world, including Afro-Surrealism, Créolité in the Caribbean, and black is beautiful in the United States. Frantz Fanon often made reference to Négritude in his writing.